Advice on music & gigs.

How do you deal with the fear that a new idea might turn out badly before trying it?

Josh argues you can't fully trust the pre-emptive negative feeling about a new idea, citing how both the 24-hour stream and video format seemed 'ridiculous' beforehand but turned out well.

How can you quiet anxious/worrying thoughts, especially before bed?

Passively listen to something calming (like an audiobook on worry) without actively following every word — letting the unconscious mind absorb the message can help reduce anxious thought spirals, similar to how podcasts provide passive listening value.

Is it safe to use any music I like in videos for my business?

Avoid using non-licensed commercial or pop music in business content because licensing fees can run into the hundreds of thousands, usage is restricted, and the content isn't truly yours; even royalty-free tracks can carry hidden rights issues.

How should an artist handle criticism of their work?

Accept that some people will love your work and some will hate it; don't get caught up reading criticism, and focus instead on enjoying what you do and the fact that you're bringing joy to others.

How can you DJ a long set without running out of material?

Build out a bigger playlist in advance and pre-make loops for tracks before the event so you can be dynamic and mix smoothly even once drunk, rather than trying to create loops on the spot.

How can you avoid DJ conflict at a group Zoom party?

Tommy and Josh suggest reducing the size of future kick-ons to a smaller group, and potentially rotating who DJs, to reduce the volume of competing requests and stress on one person.

How should a founder decide if their business idea is good before building it?

Talk to potential customers early and often to validate whether they would actually use the product, rather than relying only on friends' opinions or an internal business plan.

How do you build a career in a competitive creative industry without a traditional degree?

Put money and effort into building your network and resume in the field you want (e.g., funding a short film or supporting unpaid internships) rather than spending it on a formal degree, since real relationships and hands-on experience matter more.

Should you cold-call a company repeatedly to get a job or internship today?

Don't—modern application and interview processes have replaced that approach; being overly persistent by phone now comes across as annoying rather than effective.

What's the difference between CD replication and duplication, and does it matter for a small release?

Josh explains replication (proper stamped CDs) is preferable to duplication (home-burned style), and notes replication has become far more affordable than it used to be.

Is it worth signing with a music publisher?

Only get a publishing deal if you need one — admin/collection work publishers used to justify large cuts is now largely automated, but a good publisher is still valuable for getting syncs and meetings (e.g. with Apple or Ford) that an independent artist can't access alone.

How can you get better deals or exceptions from call centre staff?

Build genuine personal rapport with the person on the phone (ask where they're from, talk about something relevant to their life) before making your request, which can make them more willing to bend rules in your favour.